Vocab Dance Company 'Word!'

Can we do anything about Youth Culture?

DESH

Akram Khan at his most purest

Dance Movement Psychotherapy

Interview with Batel Magen - Artistic Director of Neshima Dance Company

27 Nov 2011

OPEN AUDITIONS IN LONDON & BERLIN for Kibbutz Contemporary Dance Company's Dance Journey Program - December 2011

Auditions taking place Kibbutz Contemporary Dance Company's Dance Journey Program in London and Berlin. For registration, please click here.

LONDON
SATURDAY, DECEMBER 3, 2011
10AM - 2PM
Pineapple Dance Studios
7 Langley Street
London, United Kingdom
Tel. +44 (0)20 7836 4004
www.pineapple.uk.com

BERLIN
SUNDAY, DECEMBER 4
12PM - 4PM
Dance Studio Berlin
Neuenburgerstr. 13
Berlin, Germany
Tel. +49 (0)17 7488 2869
www.dancestudioberlin.com

24 Nov 2011

FRESH: UK's Best Professional and Youth Dance Companies

For one night only, Fresh! brings together some of the UK’s best youth and professional dance companies for a dynamic evening of contemporary dance. 

Created specifically for a younger audience aged 14+, Fresh! allows young people to come together to enjoy professional contemporary dance .

The programme includes internationally acclaimed Hofesh Shechter Company, performing an excerpt of Political Mother; Jonathan Goddard, presenting his engaging 07941 611971, based on live interaction via mobile phone; and LCDS Andrew Bennett’s solo show Jessica. The professional companies will share the stage with the very best in the UK’s youth dance: Dance United’s metamotion, Avant Garde Youth Dance, Shoreditch Youth Dance Company and London Youth Circus.

Cando2, the youth company of Candoco, working with disabled and non-disabled dancers, will be presenting a site specific performance on the night. Shift, The Place’s celebrated 14 to 19 year-old youth dance company, will also be premiering a piece by award-winning choreographer Luca Silvestrini.

Before the main performance, UNWRAPPED, a series of workshops led by artists from Hofesh Shechter Company, and Avant Garde Youth Dance’s director Tony Adigun, will offer young dancers the opportunity to experience a repertoire-based session, and gain invaluable ‘behind the scenes’ access into how dance moves from studio to stage.

Fresh! is an exciting opportunity for young dancers to engage with professional dance artists and other dance lovers in a fun and young environment. After the performance, The Place‘s theatre bar will be transformed into an exclusive ‘after-show party’ with Roundhouse resident DJ NZ, and even more dancing.


Details
Date: Saturday 3 December 2011, 6pm.
Location: The Place, 17 Duke’s Road, London, WC1H 9PY

Tickets: £14 workshop and show (limited availability)
£9 young person’s ticket (show only)/£10 adult ticket (show only)

Adults are welcome but must be accompanied by at least one under 18.
Book now at: www.theplace.org.uk/fresh or 020 7121 1100

Neshima Dance Company performs in Resolutions 2012

Come to watch the performance of Neshima Dance Company’s new dance theatre piece ‘Beyond Words’ in Resolutions 2012 as part of a wonderful dance triple bill! Book this date in your diary NOW:

 Tuesday January 17th from 20.00 - 23:00! 
The Place, 17 Duke's Road London WC1H 9PY
Created by:
Batel Magen
Tickets will go on sale Monday 5th December 2011 
via The Place Box Office: 0207 121 1100
 Online: www.theplace.org.uk/theatre
(Mon - Sat 12-7pm, 6pm on non-performance days)
Beyond Words - funded by Arts Council England

on .

With an amazing cast and a unique original musical score this dance theatre piece will be a joy to watch!

For more information about Neshima Dance and our upcoming performances visit the website www.neshimadance.com.

21 Nov 2011

Scottish Dance Theatre (SDT) Artistic Director, Janet Smith takes up new post as principal at Northern School of Contemporary Dance (NSCD)

Janet Smith, SDT Artistic Director for 14 years, is to take up the post of principal at Northern School of Contemporary Dance (NSCD) in February 2012. During her time with SDT, Scotland’s national contemporary dance company, the organisation has grown in size, talent and strength from 5 to 22 staff and become one of Creative Scotland’s Foundation Organisations. Janet’s drive and passion have led SDT to become an award winning, internationally renowned company. Her experience and eye for talent has created partnerships with both established and up and coming choreographers. It is a testament to her style of leadership that many SDT dancers have gone on to become successful choreographers and directors themselves, to dance with international companies or else have stayed with the company for many years. Through Janet’s guidance SDT is recognized nationally for pioneering leadership in Arts and Disability.

The skill and talent emerging from within the company under Janet Smith’s leadership has enabled a clear interim plan to be put in place whilst the company recruits a new Artistic Director. Current SDT Rehearsal Director/Dancer James MacGillivray, will take up the position of Acting Artistic Director and SDT dancer Joan Clevillé, a choreographic power within the company, will step up to the role of Acting Rehearsal Director. James MacGillivray recently gained an MA in Contemporary Dance specializing in authentic leadership, through the London School of Contemporary Dance. In his two and a half years at SDT, Joan Clevillé has displayed a clear choreographic talent. His recent work Dreamt for Light Years was performed by SDT during the Edinburgh Festival Fringe and at several international festivals in summer 2011. “Simple, emotive and personal this is among the strongest and most promising work from a young choreographer out there” The Journal online

“It has been a wonderful time in my life, working in the creative family of Scottish Dance Theatre –a world class company and a cultural ambassador for Scotland. 
I’ll miss friends and colleagues here at Dundee Rep and across the dance and arts community in Scotland. But a rare opportunity - to contribute more broadly to the next generation of dance artists, has come my way and - with the company on top form and mid-term funding secured, the timing feels right to step aside from the company and make way for fresh artistic leadership. 
I’m happy that my leaving creates the space for two of our most experienced artists, James and Joan, to shift up into new interim leadership roles for which I think they are more than ready. The appointment of SDT’s next Artistic Director will be made in spring, with a provisional start date in August 2012. I aim to relish these final months with company, before I take up my new post in February and I’m sure I will haste me back often to Dundee and Scotland.” Janet Smith
James Brining, Chief Executive of Dundee Rep, of which SDT is a part said “Janet Smith has made an extraordinary contribution to Scottish Dance Theatre and to Dundee Rep as a whole. Under her direction the company has grown and developed into a wonderful asset for the Scottish cultural scene. We shall all miss her passion, intelligence and determination.”

12 Nov 2011

Feedback33 Cuban Contemporary Dance

Feedback33 is a Professional Dancers' Mentoring Forum set up by Sheron Wray.
An opportunity to take part in various dance techniques with teachers from around the globe. It is a chance to gain insights into the passions, challenges, and experiences of various artists and teachers.

Feedback33 with Shelly Maxwell Thurs 17 Nov 2011 @ London Studio Centre

Venue: The London Studio Centre, 42 - 50 York Way, London N1 9AB (adjacent to Lincoln Lounge)

Cuban Contemporary Dance with Shelly Maxwell, Thursday 17 November, 7.30pm – 9pm (class registration 7pm – 7.25pm)

Shelley's class is a fast paced Cuban technique class merging elements of la technica Cubana with her own unique contemporary flavour. The Cuban technique is loosely rooted in the Graham technique and through additional inclusions of undulations and spinal manipulations forces the dancer to master the shifting of weight through space. The class is highly physical with challenging exercises in the centre and travelling sequences that demand a sense of attack and musical dynamism. The class culminating in a challenging movement sequence to end.

Cost per class
£5 Members / £8 Non-members
Concessions*
£3 Members / £5 Non-members
* Concessions are open to students and to unemployed professional dancers only. ID/proof of status is required. To check if you qualify for the unemployed professional dancer concession, please phone number below.

Annual Membership fee
£10

To book a place on these workshops please email Paula Allen at feedback33forum@gmail.com or phone: 07800959664.

Teacher’s Bio
Founder and choreographer of the MaxwellDanceProject (http://tinyurl.com/63zesj6) Shelley Maxwell trained at La escuela Nacional de Arte in Havana, Cuba where she studied The Cuban Modern Technique (La técnica Cubana). She was a principal dancer for the National Dance Theatre Company of Jamaica and was a member of the Tavaziva Dance Company here in London. She has performed in the London Production of The Lion King and most recently worked with American choreographer Bill T.Jones in his award winning production of Fela! She holds a MA in Choreography from Laban. Her choreographic movement style is heavily physical with a strong relationship to music.
Feedback33 Dancers' Mentoring Forum: “Let's celebrate our differences by coming together"

7 Nov 2011

DanceXchange hosts UK premiere of TAO Dance Theatre

As part of its tenth anniversary celebrations DanceXchange (dx) will host the UK premiere of Chinese company TAO Dance Theatre’s latest work.
Having performed all over the world from China to Amsterdam, Antwerp and the US, Tao Dance Theatre will be showcasing two of its most recent works at Birmingham’s dx. The company’s Weight x 3, a piece concerned with the perceptions of physical practice, will be followed by the company’s latest work, 2.
Throughout his work, choreographer Tao Ye has made it his mission to reconnect the body to its creative abilities in order to re-establish a true sense of identity. As a result, each performance is deeply engaging and thought provoking, expressing the concept of two souls in conversation.
photo by Matthew G Johnson
David Massingham, Artistic Director of DanceXchange (dx), adds: “Choreographer Tao Ye and his company have impressed audiences all over China and Europe, and we are excited to welcome them to the dx for their UK premiere. At dx, we are dedicated to showcasing international talent in Birmingham”.
Tao Dance Theatre will be performing as part of dx’s anniversary season, celebrating its tenth year at Birmingham Hippodrome. The performance will be taking place on Friday 11th November. Performances by Company Decalage and a world premiere by Aakash Odedra complete the special anniversary line-up.
To find out more information about dx or to purchase tickets for performances please visit www.dancexchange.org.uk

5 Nov 2011

Vocab Dance Company's latest work 'Word!'

Brand new production 'Word!' recently performed at DanceXchange, Birmingham to celebrate their 10th year anniversary by Vocab Dance Company is asking if it is in our power to do anything about negative stereotyping resulting from media portrayal of youth culture.

They do this through a lot of strong eye contact with the audience often with confused and angry facial expressions, vexed speech, abrupt yet rhythmic movement. Live harrowing vocals create a haunting atmosphere echoing deep disturbance within our youth culture, within ourselves.

Parts of this performance were powerful, forcing you to experience some kind of emotion in relation to the subject matter.

It left us questioning the appropriateness of using adults to portray what young people are feeling. We pondered on this by considering the choreographer Alesandra Seutin's intentions. Would using young people to play out their own anger and frustrations cause an emotional rather than an objective response thus affecting our abilities to discuss such issues objectively? If the piece is asking whether adults are responsible for the evolvement of youth culture, has casting adults made this question more poignant?

'Word!' was quite an aggressive attack on negative stereotypes within youth culture.  For example - if you act scared of kids wearing hoodies, this can encourage them to act and/or be scary. We're not going to question the fundamentals of whether this is arguable or not here, but it may have been beneficial to include some positive representations of youth culture in this work in order to make us truly examine its portrayal in the media. Furthermore it seems contradictory to question negative stereotyping through staging a group of similar individuals (in terms of  movement and costume), leaving us to question whether this piece perpetuated stereotyping rather than challenging it by presenting a more individualistic alternative.

At the end of this performance newspapers were torn up which left us with a sense of our power to do something about representations of youth culture. Maybe a reference to online media such as social networking would have been more current. Then again, given the vast multitude of media outlets in our society, this may have made it more challenging to leave the audience with this sense of empowerment.

Vocab Dance Company are a skilled, wholehearted, passionate and assertive group of performers. Alesandra Seutin uses the stage well and her choreography is heartfelt, meaningful and powerful. The performance did what it set out to do by reminding us of the stereotypes surrounding youth culture, their effects and whether we can do anything to make a difference.

4 Nov 2011

DanceXchange (dx) presents an evening of Afro-Eclectic dance

Vocab Dance Company presents a performance inspired by aspects of black culture and heritage as part of DanceXchange’s (dx) ten year celebrations.
Founded in 2007, Vocab Dance Company fuses traditional and modern African dance, Contemporary dance forms and Hip Hop to create a unique vocabulary named Afro-Eclectic Dance. Episodes of Blackness is a double bill comprising a revival of the highly-acclaimed Kwenda-Kwenda and presentation of the new work Word!
Merging the disciplines of dance theatre, music and spoken word, Word! is a choreographic response to the headlines around youth culture, while Kwenda-Kwenda is a compelling exploration of a female’s wish to step away from one’s roots without jeopardising tradition. The result is a distinctly fast-paced, athletic evening of Afro-Eclectic Contemporary Dance.
David Massingham, Artistic Director of DanceXchange (dx), comments: “Following a fantastic performance as part of Utopia in International Dance Festival Birmingham 2010, I’m excited to welcome back to Birmingham such a dynamic and talented young company. Episodes of Blackness is a raw and engaging work that explores important and relevant issues in our society”
Episodes of Blackness is part of a line-up of special performances organised by dx to celebrate ten years since the powerhouse of dance relocated to Birmingham Hippodrome. In the last decade dx has supported the production of some of the world’s most successful dance works and this anniversary season sees it continue to bring international artists to Birmingham including the world premiere of TAO Dance Theatre’s new work, Weight x 3 (excerpt) & 2.
To find out more information about dx or to purchase tickets for performances please visit www.dancexchange.org.uk
photo by Ireven Lewis